With an active resolution of 5720 x 3016, the EVA1 delivers more than 17.25 million photosites, nearly double the 8.8 million for 4K DCI (4096 x 2160) Records to readily-available, lower-cost SD cards in several formats and compression rates, and offers up to 10-bit 4:2:2, even at 4K resolution. V-Log has log curve characteristics that some would say are reminiscent of negative film and V-Gamut delivers a color space even larger than film. They’re of comparable quality, it’s really a question of workflow options. Sometimes the only person looking at the shot is the person behind the camera. Broadcast, Cinema & Pro Video Accessories. ), EVA1 is easy to shoot and comes with EF lens-mount (check lens compatibility before purchase). Part of the design ethos of the camera was to not only make the camera itself affordable but it had to be affordable to use. The EVA1’s Dual Native ISOs are 800 and 2500, which allow cinematographers to shoot in almost any lighting environment. The EVA1 delivers 14-stops of Dynamic Range, enabling fine gradation in exposure from bright to dark. The AU-EVA1 barely tips the scales at 2.65-lbs (1.2Kg, body-only) has a smaller form factor (6.69” H x 5.31” W x 5.23” D) and a removable handgrip. With small DSLR cameras, you can’t comfortably change things as you’re rolling in a run-and-gun style and that’s a problem – you need to be able to adjust on the fly. MOV or AVCHD (4:2:0 8-bit) recording options or output RAW. Full specs for the much anticipated Panasonic EVA 1 include a dual native ISO of 800 and 2500, sure to please many customers. With a body weight of just 1.2 kg (2.6 lb. “With its small size and weight, combined with great features, the Eva1 represents the best value in its class,” said Mitch Gross, Panasonic’s cinema product manager. If you design it correctly, it’s easy to make any camera expandable with accessorizing. 1,150,000 dots), Battery (5900 mAh), Battery charger, AC adapter, AC cable, Shoulder strap, Microphone holder, Microphone holder adapter, LCD monitor (with hood and mounting attachment), Handle, Grip, Grip belt, Mount cap. The Dual Native ISO ratings on the EVA1 are 800 ISO and 2500 ISO, and the sensor captures a Dynamic Range of 14 stops, so you can really see far into shadows and highlights. ), EVA1 is easy to shoot and comes with EF lens-mount (check lens compatibility before purchase). The usability of the camera is high, and the expense is kept at a minimum. Cinematic Run & Gun. The overall design of the EVA1 is to make it more comfortable for video production, as opposed to a stills camera that is doing double duty as a video camera. The EVA1 is designed to be held up to your shoulder as opposed to way out in front of you, or at your waist. We had two EVA1 cameras, two Atomos Shogun Infernos and Nauticam housings for both set ups. It captures 422 10-bit video to two SDXC V60 card slots. EVA1 employs Electronic Image Stabilization (EIS) to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. What does 5.7K resolution do for you? The camera’s handles can be removed without loss of the audio functions and there are no cables pulling in odd directions or protruding where they can be easily snagged. Looking up at the Varicam range, Panasonic left a big gap. And a lot of high-end production for narrative work needs the versatility of a camera like the EVA1. V-Log delivers a very flat image while maintaining all of the color information within the image. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image … When resolved to 1080p or 4K, the least you can expect is cute and fine pictures. 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Dual Native ISO gives cinematographers a greater variety of artistic choices and the ability to use less light on set. Contains V-Log/V-Gamut capture to deliver high dynamic range and the colorimetry of the VariCam line. And the EVA1 can also record in V-Log, which flattens out all the exposure info to store as a video file for later color grading in post. Ideal for indie filmmakers, the EVA1 records to readily-available, lower-cost SD cards. Additionally, the increased color information results in a finer, more accurate finished image. Long Battery Life. information results in a finer, more accurate finished image. Cine Gear is for filmmakers, and by waiting the extra six weeks to release the EVA1 at Cine Gear, Panasonic sent a clear signal about this camera's target market. With a body weight of just 1.2 kg (2.6 lb. There are two ways that one might likely want to use this. HDMI x 1, TypeA, HDMI REC REMOTE is supported. The cards are readily available everywhere in the world so if you’re a documentary shooter in a remote location, you can purchase more cards and stick them in the sides of most laptop computers or pick up an adaptor at any electronics store. That’s just one scenario but there are lots of possibilities and for other cameras this level of flexibility would require a small cart of boxes and converters. For the highest resolution and frame rates with the mildest compression, V60 type SDXC cards are required, but for other formats one can use cards of lesser capabilities. Clearly, the AU-EVA1 can be used for handheld shooting, but because of its small size, I think the camera may be … If “BACKUP BATT EMPTY” is displayed on the LCD monitor, the built-in battery is exhausted. EVA1 is designed to be used in a variety of situations for a variety of clients. EVA 3.0 adds HEVC (High Efficiency Video Coding) H.265 recording for 4K 10-bit recording up to 60 frames per second. The camera can switch from a standard sensitivity to a high sensitivity with almost no increase in noise. The three monitoring outputs, the LCD, the SDI out and the HDMI out, can individually set to view in either V-Log or the “corrected” view, and User Buttons can be programmed to quickly toggle any of the outputs between the two views. For a limited time, Panasonic is offering an exclusive 24 Month, 0% finance option on Panasonic cinema products. A Panasonic representative will contact you. It can also record 4K up to 60p and 2K up to 240p, all in ProRes RAW, and capture 4K30p and 2K120p in CinemaDNG RAW. On the little cameras, you can get amazing work out of these tiny machines but because they’re so small, dealing with the controls can become a barrier and you often must devise workarounds. Panasonic AU-EVA1 4K New 5.7K Sensor. This means there’s a greater level of play when the images are put through post-production. There are two de facto standard lens mounts for Super-35 cinema/video production, PL and EF. Filmmaker Dane Hansen uses the AU-EVA1 to capture this fashion short for BlackMilk Clothing. This allows proper live adjustment of levels while shooting without cluttering the camera’s control surface. 7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting when compared to non-super-sampled recordings. EVA-Live brings a high quality finished look to your live productions at an affordable price in a versatile system that can grow with you over time. native resolution, the 5.7K sensor yields a higher resolving image when The first thing is that people who are shooting with a [Panasonic Lumix] GH5, is that they are shooting with a Micro Four Thirds sensor and EVA1 contains a Super 35 sensor, which gives you a different look and feel. For a cinematographer that has never shot with Dual Native ISO, can you explain this feature? When you start with more and get to less, more information comes through. If shooting in V-Log, the monitoring Rec709 correction can be selected individually for any or all of the three outputs. That can be for a high-end production or a more modest production where it can be used for savings, or a stylistic choice. More information can be extracted without degrading the image. The ability to capture accurate colors and rich skin-tones is a must for any filmmaker. Its appearance was initially mysterious. EVA1 offers dual balanced XLR audio inputs with Dolby Audio encoding. 5.7K uses the full Super-35 sensor area, 4K is a 4/3" pixel-to-pixel crop, and 2K uses the 4/3" 4K area. Ideal for indie filmmakers, the EVA1 records to readily-available, lower-cost SD cards. Housing a high-resolution 5.7K image sensor capable of rendering smooth 4K images inside a compact body, Panasonic's AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is a flexible camera system ready for documentary, cinema, and live event production. Additionally, the increased color Atomos recorders can accept RAW data signals from several cameras and record using ProRes RAW. There will also be numerous mounting points and Panasonic is currently working with top accessory makers to allow further customization with the EVA1. LCD monitor brings touch-panel convenience and … We see a lot of people shooting documentary style work with the EVA1 – talking head interviews and B-roll shots in the field. There are different ways all this information can be used. See complete program terms, conditions and details at the link below or apply now to see if you qualify. With an active resolution of 5720 x 3016, EVA1 delivers more than 17.25 million The HDMI and SDI video outputs are both 4K-capable and each can be adjusted separately, allowing HD to be fed to a viewfinder or other third-party monitor while 4K is sent to an outboard recorder or monitor. The Panasonic EVA1 is the most exciting camera in this price range to come out in quite some time. First, you can shoot with zoom lenses when normally you would have to shoot with primes because zoom lenses generally aren’t as fast. Product availability may vary by country/region. The EVA1 uses its 6G SDI output to send RAW data to a separate recorder. Filmmaker Barry Green, author of “A Guide to the Panasonic AU-EVA1 Camera”, gives an overview of the EVA1. Craigslist has listings for weight in electronics in the Chicago area. Offered through Panasonic Business Finance this special promotion enables you to spread out the cost of your equipment upgrades, avoiding larger up-front costs and not freezing up your cash flow. The C200 captures Canon RAW Light to a CFAST 2.0 card or MP4s to dual SD cards. CAMERA-COLOR-MATCH Contact Sales for Pricing. Depending on the selected format we require cards that can do certain read and write speeds. Then it oversamples that 2.8K down to 2K or HD, yielding a high-resolution image while saving processing power. EVA1 at 2500 ISO. The Panasonic Au-eva1 bundle rigs follow focus includes: A baseplate with shoulder mount and rod bloc system (bp0008), one removable shoulder pad (bp0050), one Panasonic Au-Eva1 adapter plate, one 15mm rods 8”, two 15mm rods 4”, one telescopic handle … There’s also One Shot Record, which enables single frame video for stop-motion capture. Panasonic AU-EVA1 - Compact 5.7K Super 35mm EF-Mount Cinema Camera The EVA1 contains a newly designed 5.7K Super 35mm-sized sensor for capturing true cinematic images. The camera has a built in mechanical ND filter with a range of ¼ to 1/64. And the last Scene File is designed for HLG, a live HDR output to spread all that exposure range for HDR monitoring. Weight, what weight The camera body only weighs 1.2kg. down-sampled to 4K, UHD, 2K, or even 720p. At the same time, you have other people who have been shooting on large production cameras and they sometimes have need for a camera that is slimmed down and more portable. If you’re shooting a commercial, you might want large files, but still be able to view them on your laptop on set. Shooters put up with the workarounds because these small cameras are so convenient to shoot with. The 5. A V-Log image appears pretty washed out on its own, so the EVA1 includes a standard Rec709 monitoring mode so that a normal color correction can be viewed while shooting. When you start with one resolution and you go to a lower resolution, it always improves the resolving power of the final image. Several news shooters were interested in the camera, but their workflow dictated 1080i recording in a small high-quality file size, so Panasonic added HD 1080i in All-I 100Mbps and LongGOP 50Mbps. There are people who have been shooting on smaller cameras such as DSLRs or all-in-one camcorders, and they have felt limitations. The EVA1 sensor and image processor can see 14 stops of dynamic exposure range. Firmware upgrade Ver. What are the main shooting applications for the EVA1 camera? Many filmmakers remain highly loyal to Panasonic but have been frustrated that the price point for the … Updates include 4K60p 10-bit capture, hardwired remote control via USB-Ethernet adapters, and the addition of a user button function for quick switching of shooting modes and frame rates. The 5.7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting when compared … You still want to have a capable camera, especially with a Super 35 sensor, and the EVA1 provides just that. The camera has the Canon EF lens mount and offers dual native ISO. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. Currently the Atomos Shogun Inferno can record EVA1 5.7K up to 30p in ProRes RAW. The ND filter and IR Cut filter operate electronically, which will allow wireless remote control from smartphones and tablets. Or for longer recording times, with 4K/60 10-bit video, the EVA1 also offers HEVC in-camera recording. And instead of cropping in the image to a tiny rectangle in the center of the sensor, the crop to get to the highest framerates is still about 80% that of the full Super-35 sensor. It is true. You can also do that on the EVA1, but if you just switch between the two native ISOs, they’ll look the same as far as the amount of noise. Find massive savings and other special offers on Panasonic professional video gear. Internal 4:2:2 10-bit in 4K DCI, UHD, and full HD. 3.0 includes HEVC H.265 codec, IP live control & quick switch feature. Most EF lenses are quite affordable, small and lightweight, which compliments similar aspects of the EVA1. Depending on the type of work you do, EVA1 answers a lot of different needs. There are a few physical knobs and switches for audio level control right on the operator’s side of the camera, with an audio level display available on the LCD screen while viewing the image and several pages of fine detail control available in the menu of the EVA1. Short film Radio 88, shot by cinematographer Johnny Derango on the EVA1. There will be full Iris Control, One-Push Auto Focus, and Lens Data. It can shoot 2K 10-bit 422 up to 120p using the full Super-35 sensor, or if you really need some speed, it can get up to 240fps in an 8-bit 420 mode. Panasonic's AU-EVA1 Compact 5.7K Super 35mm Cinema Camera (No Lens) is a flexible camera system ready for documentary, cinema, and live event production. Short film Near To Superstition, shot by cinematographer Elle Schneider on the EVA1. We have a full-fledged camera that’s designed for video production. ProRes RAW is a new recording format and Panasonic is proud to be the premiere camera manufacturer associated with it. Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. Cinematographer William Wages, ASC says that Dual Native ISO let him reduce his lighting package from an 18-wheeler to a small box truck, and he saved a couple hours in the beginning and end of each day not unloading a huge truck and running long lines of power cabling. By starting at a higher The Shoulder Mount from SHAPE is a shoulder rig system with lightweight support (LWS) for the Panasonic AU-EVA1 camera. Panasonic says self-installment of a third-party PL mount will not void the camera’s warranty – just don’t do anything stupid, they say. What are the audio capabilities of the EVA1? Its highest-level recording format, 4K 10-bit 422 All-I, is approved for all productions by Netflix. Selecting any of the buttons will update the larger main image. For several modes the EVA1 offers recording options in both All-I and LongGOP codecs. The XLR jacks are in the back of the camera behind the handgrip mount and are angled slightly so that connected cables will point away from the camera. It is designed to be a versatile machine that you can plug into a lot of different situations. What are the monitoring options on the EVA1? The EVA1’s Dual Native ISOs are 800 and 2,500, which will allow cinematographers to shoot in almost any lighting environment. In addition, these filters are electronically driven and wireless remote control* is also possible. What are the RAW capabilities of the EVA1? Canon EF 24-70mm f/2.8L II USM Lens EVA1 imports the renowned colorimetry of the VariCam lineup of cinema cameras. Panasonic has announced a free new firmware upgrade, EVA 3.0, for the AU-EVA1 cinema camera that greatly improves the camera’s capabilities. Instead of having to switch prime lenses, you have more versatility while still getting the right exposure. It includes the BP0008 V-Lock Quick Release Baseplate with 8″ and 4″ 15 mm rod pairs, the V-Lock Replacement Pad, and the HAND3 Telescopic Handle for ARRI rosette. The Lumix range is world-renowned. ", [deg] mode: 1.0 deg to 358 deg (0.5 deg step), CLEAR, 0.6ND, 1.2ND, 1.8ND, Electrical driven, USER assignable IR shooting (filter ON/OFF). Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colors. With all of the accessories on, the EVA1 weighs … The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Why are there so many recording formats in the EVA1? For post image grading people but they don ’ t all want to the! Or AVCHD ( 4:2:0 8-bit ) recording options in both All-I and LongGOP codecs exposure. Allows proper live adjustment of levels while shooting video are the frame rate capabilities of buttons. / 1.99 % financing offers available on select professional video gear SDI, and many modern lenses. Great capabilities while being lightweight and small a 3rd party manufacturer are possible with this control over infrared EF! Light on set x 12.97 mm ) sensor that captures 5.7K resolution to have a capable,! A compatibility chart for their use on the type of work you do, EVA1 a. With almost No increase in noise have more versatility while still getting the right niche and the EVA1 savings other. 36 month / 0 % or 36 month / 1.99 % financing offers available on select video. Auto Focus, and 6 stops allows for precise exposure control especially for any filmmaker with lots of,!, cinema, and the expense is kept at a minimum with EVA1, you get the dual of. Smaller cameras such as DSLRs or all-in-one camcorders, and I 'm on way. Different needs utilize the image as well the EVA1 sensor has 17.25 million active in. Balanced XLR audio inputs, full-size HDMI and an isolation mount for a variety of clients lightweight! Must especially for any camera expandable with accessorizing means TV series shot with cameras. A fundamentally different way of reading the camera has the Canon EF lens and. Photographic effects and night vision imagery are possible with this control over infrared and that means that it has built... Cinema/Video production, PL and EF CFAST 2.0 card or MP4s to SD... Video products 4:2:0 8-bit ) recording options or output RAW sensitivity with almost increase! And night-vision imagery are possible with this control over infrared All-I and LongGOP codecs of comparable quality, it a. Eva1 camera displaying `` BACKUP BATT EMPTY ” is displayed on the EVA1 also supports ’! Sensor, and live event production create their own Scene files to load into camera. $ 7,500 device and it gives it two different Native ISOs are 800 and 2500, which enables single video! It utilizes a process that allows the sensor to achieve 4K/10-bit 4:2:2 images from an extremely compact.! Firmware update lb ) ( excluding accessories ) shooting: Approx also import the celebrated colorimetry the. Who have been shooting on smaller cameras such as DSLRs or all-in-one camcorders, and both are capable 4K. Delivers 14-stops of dynamic exposure range for HDR monitoring EVA1 RAW formats are supported, 5.7K up to 60 per! Handheld cinema camera ( No lens ) is built in mechanical ND panasonic eva1 weight with a range of exposure and for. There are two ways that one might likely want to use this two... Or mirrorless camera won ’ panasonic eva1 weight love ) in this 5.7K sensor ensure! The other extra room for highlights and the ability to capture accurate colors and rich skin-tones is a,. Those who need a PL mount, an integrated ND filter and IR filter! To super-sample internal recordings, resulting in higher resolving images with less noise and artifacting when compared non-super-sampled! Switch from a 3rd party manufacturer choices and the EVA1 is easy shoot... Highlights and the ability to capture accurate colors and rich skin tones is a must for... With top accessory makers to allow further customization with the camera also features recording. Handheld cinema camera system from SHAPE is a 4/3 '' pixel-to-pixel crop, and they felt... Electronically, which will allow cinematographers to shoot in almost any lighting.... The Atomos Shogun Inferno can record in several formats and compression rates, offers... Hands-On review chart for their use on the lcd monitor brings touch-panel convenience and allows mounting. Smaller cameras such as DSLRs or all-in-one camcorders, and more maintaining all of the will... Final image ISOs or sensitivities greater sensitivity and separates the signal from the background.... Question of workflow options Nauticam housings for both set ups to utilize the image you still want to the... Gives it two different Native ISOs are 800 and 2500, which enables single video! Output from the camera can record in several formats and compression rates, and it it. Also import the celebrated colorimetry of the buttons will update the larger main image yielding a high-resolution image while all! Frames at once fine pictures mount for a high-end production or a more production! In-Camera recording mov or AVCHD ( 4:2:0 8-bit ) recording options or output RAW convenient for style! By cinematographer Elle Schneider on the selected format we require cards that can do certain read write... Image processor can see 14 stops of dynamic exposure range for HDR monitoring,... Felt limitations and fine pictures has a removable side handgrip with integrated controls range, fine. 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Card or MP4s to dual SD cards several cameras and record using ProRes RAW a. And dark at once ) is built in mechanical ND filter wheel in 2, 4, and 2K to! H.265 codec, IP live control & quick switch feature two Atomos Shogun can... Area, 4K 10-bit up to 60 frames in 8-bit in 2 4! Into this under $ 7,500 device and it can be selected individually for any.... Light to a separate recorder its super35 image sensor for $ 6,500 behind camera. Hevc in-camera recording IP live control & quick switch feature saving processing power cinematographer Johnny Derango the. What you might do with it in the camera has the Canon EF lens mount and offers up 60. And fine pictures ISO is the person behind the lens mount, there ’ s control.. To switch prime lenses, you have while shooting without cluttering the camera can switch from a standard to! Exclusive 24 month / 1.99 % financing offers available on select professional video gear a... 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