panasonic varicam lt review

The menus are very simple, the viewfinder is good, and other than that it’s pretty simple with very few buttons. The dial normally controls the iris on EF lenses but can also be switched to adjust audio input levels. It does have its pros and cons, but ultimately I fell in love with the image and usability of the Varicam LT … If PL glass is your thing, you can replace the EF mount with a PL mount. Here’s the EVF feed as captured on a Video Devices PIX-E5 recorder: In this screenshot, lookaround is enabled with a blue boundary and 50% dimming outside the active picture. You can set the number of frames recorded per push of the REC button and an initial delay (When I set the number of frames to 1, I actually got 4 frames in my clip, but I was using the function for single-frame shots of test charts and the like). The biggest thing for me to test was the night stuff because for me that’s the biggest selling point of the camera. The pistol grip is great with the iris control and record button. A single-operator cinema camera that brings the quality of Panasonic’s high-end Varicam 35 (introduced last year) into a more compact and affordable package. If you’re in the TV world it’s really useful, but in the film world you never really open up during a shot anyway. The front of the camera has a four-position ND filter wheel selector (clear / 0.6 / 1.2 / 1.8), and the lens mount. We’re getting into that sort of territory and I think more people will ultimately use the LT for it. One-shot recording (single-frame advance) for animation. Call for Price. It can be swiveled to either side or any point in between, and it can tilt to accommodate high or low-mode work. All these cameras, the ALEXAs, the REDs, if you break down the settings of what it is you want to record they’re actually incredibly simple, there aren’t that many settings. This pricing puts it in roughly the same league as the Sony F5 and F55, Canon C700, or RED Scarlet, depending on the various options you bundle with each. The camRade wetSuit VariCam LT is a tailor-made rain cover that protects your camera against the elements. Panasonic VariCam 35 LT Review Another day, another camera is released. Reviews. Filmmakers go-to destination for pre-production, production & post production equipment! The form factor is good for gimbal work as it’s a pretty lightweight camera, which is good for cranes. And that’s just the gateway to a complete dailies, review and archiving system with Codex’s Production Suite. I used a Convergent Design Odyssey 7Q+ with the raw-recording license to capture the feed. A single 256 GB P2 Express card holds about 90 minutes of AVC-Intra4K 422 at 24fps, or 73 minutes at 30fps; 60fps AVC-Intra4K LT will fill the card after 63 minutes. I am a beta-tester for Convergent Design and a sometime consultant to DSC Labs; beyond that there is no material connection between me and any of the manufacturers mentioned. On-board AVC-Intra and ProRes recording (full-frame and cropped, up to 240fps); uncompressed raw output (full-frame, 1-60fps). So, for example, if you need a certain frame rate but can’t seem to enable it, you need to check—at a minimum—MAIN CODEC and MAIN PIXEL and SDI RAW, and possibly RAW OUTPUT, too. Our specialists can guide you through our comprehensive range of DSLR, 2/3” ENG zooms and Cine Style primes from leading brands including ARRI, Canon, Sony, Cooke, Fujinon and ANGENIEUX. Learn more about who we are, what we do and how we turn our beliefs into action to create real social impact. Could we be looking at a Panasonic Varicam Mini? The VariCam LT is a stripped down version of the VariCam 35. The VariCam’s matrix controls go one step further than most, with separate positive and negative controls for each component mix, so you can for example skew the top half of the vectorscope pattern to the left with the  (B-R)_N control withoutskewing the bottom half to the right at the same time. Words: Jonathan Jones. On October 23rd, I stood on one of three triple-tier media risers on Belmont University and outside the last... What does a director of photography shoot to take full advantage of a brand new 12K RGB sensor? Varicam, originally stylized as VariCam, is a brand name associated with specialized Panasonic video cameras that are mostly used to imitate the look and feel of motion picture cameras. The camera takes 16–17 seconds to fully start up and respond to controls, though it starts making pictures within 5 seconds so you can at least start aiming, framing, and focusing. Open its door to gain access to P2 Express and SDXC media slots. Yönetici. As there is no raw, the colour temperature is significant as it does bake it in. If you switch from full-sensor 1080p to crop-mode 1080p, you’ll need to reboot. Fortunately, I was able to with the … Like many LSS cameras the LT has a dual personality, operating in a cine-friendly log-recording mode with ASC CDL on-board grading and LUT support options, as well as a more traditional video mode with extensive knee, matrix, and color-correction controls. As it turns out Panasonic went after a different sector of the market and the Varicam LT is competing directly on price against cameras like the Sony F5 and Canon C300 Mark II. The camera uses a gold mount battery plate with a D-tap power port. I don’t want to make too much of the switching off and on of the camera, especially if you’re coming from film, it’s not a bad thing. The experienced filmmaker discusses the advantages of the VariCams LT's dual native sensitivity and superb lowlight filming abilities. Yönetici. The VariCam LT is Panasonic’s “affordable” large single sensor VariCam, putting the core of the $55,000 VariCam 35 in a more compact package. In all of these Scene Files, you have both standard color matrix controls and a 24-pole color corrector. The Varicam LT is a large lump: 7.25” wide by 9.75” long (184 x 247mm). That’s where the RED has become the industry standard. The MEDIA page also give you a quick way to reformat the main and sub slot cards. You can also apply a mask to recorded proxies. It offers 4K (4096 x 2160) and UHD (3840 x 2160) resolution, and boasts high sensitivity, low noise, wide dynamic range and cinematic depth of field. Panasonic … “Canon DSLR records RAW video!” An April Fool’s Day FaceBook post I saw in 2012. They thought that their previous users can still get their head around it quite quickly. Because it’s so quick to change settings, you could be doing a shot of a cheetah at 5K and within seconds you could be doing a 240fps 2K close-up. PLEASE NOTE: Varicam LT Version 6.0 upgrade now available. Cinematography & Cameras . The EVF has an eye sensor that turns the EVF off whenever your eye isn’t pressed to it; if this annoys you, you can set it to turn off after 1 or 5 minutes, instead. And because it’s a VariCam, it supports variable frame rate recording (VFR), with the rates depending on the frame size, sensor scan, and codec setting. I reviewed the camera in June 2016 and there was a lot to like: a 4K-capable Super 35mm camera in a lightweight magnesium body with interchangeable lens mounts as well as many of the same features as its bigger brother the Varicam 35. There’s a 1/4” socket on the back for alternative mounting configurations; I tried hanging it off a 15mm rod, below the EVF, where it was easier to use with the camera on my shoulder. The super 35mm image sensor, which is the same imager as VariCam 35, features wide dynamic range, an expansive color gamut, and high sensitivity for 4K image acquisition. Made of a special water-resistant fabric with a soft lining, this flexible cover can be used for the VariCam LT. There’s a 12-pin terminal at the bottom for either a broadcast-style lens connector, or for the operator’s grip and its controls. Clips are recorded on P2 Express cards, a thicker, faster version of the original P2 card, though some of the older P2 cards can be used when recording the lower-bitrate, legacy AVC-Intra100 format. Nobody influenced me to write a favorable review nor was any compensation or other consideration provided. With the vast array of lenses and accessories available, selecting the right one can be daunting. Pressing VIEW turns the screen into a monitor, showing the same information displayed in the EVF. You can set headroom—the inverse of “reference level”—to 18db or 20dB. With these two controls I was able to line up the VariCam LT on a DSC Labs ChromaDuMonde chart pretty much perfectly in only a couple of minutes. Here’s what the WB page looked like after I’d saved a couple of custom white balances. If a project’s budget has been set though you would then just light it. I’ll let the review speak for itself, but overall, this is a very great camera, that beats many competitors in a variety of ways. The ND wheel is exactly the same as the old VariCams, which is great for the broadcasters. Same Imager as VariCam 35: The VariCam LT is equipped with the super 35mm single-chip MOS sensor developed especially for the VariCam 35. For those that don't want to watch the whole thing (don't worry, I'd understand! For the doco world, one of the biggest challenges we’ve always had is sequences that go in to the night and very darkly lit atmospheric locations where you can’t take a big lighting rig. The VariCam LT offers a subtle, sophisticated color palette, 14+ stops of dynamic range, and excellent low-light capability in a variable-frame-rate 4K camera at a midrange price. I used the Anton Bauer Digital Series 90 batteries on a recent LT project and … The 7Q+ records the signal as DNG (digital negative) files, one file per frame, using one or both SSD slots depending on bit depth and frame rate; it also captures embedded audio to a .WAV file, one file per clip (each clip has its own subdirectory in which all associated files are recorded). The VariCam LT uses the same Super35mm-sized 4K MOS sensor as the VariCam 35, with a dual-ISO readout, 14+ stops of dynamic range, and improved color discrimination. ), here is a quick guide. I knew this was a camera I would want to review. Please continue to Part 2 for more details…. Anamorphic desqueeze is available in the EVF and on the SDI outputs, in either 1.33x or 2.0x squeeze ratios, though 1.5x is not supported (in all fairness, not many folks in the LT’s target market will be using 1.5x anamorphic adapters). Panasonic Varicam 4K Super 35mm Cinema Camera without Accessories. The EVF is small enough that it’s easy to look around and maintain situational awareness. Panasonic Varicam 35 Review As with any new camera, when the Panasonic Varicam 35 arrived at our office, we wanted to test it during a real production. One workflow, no matter which camera you choose, you won’t need anything else. More than once I considered slinging a sound bag ‘round my neck just so I’d have the responsive realtime control my Sound Devices 302 mixer affords, and not worry about what mode my control dials were set to. The camera is capable of capturing 14-stops of dynamic range when using V-Log and recording up to 60 fps at 4K, and up to 240 fps at 2K. Brand Quality: 4.3/5 Value For Money: 4.7/5 Expert Opinions: 4.4/5 User Popularity: 5/5 Overall Rating: 4.9/5. Panasonic VariCam LT Renders Colors Like an ARRI Alexa for a Fraction of the Cost. We interviewed cinematographer, Marek Trakowski, why he chose the Panasonic VariCam LT to shoot the Polish TV series "Drogi Wolności” - “The paths of freedom”. Each reboot takes 20 seconds: 3 to turn off, 17 to turn on. One benefit of the active EF mount is that EF lenses with optical image stabilization work in stabilized mode. The camera balances very nicely on the shoulder; its mass keeps it well planted, and I never felt the handgrip was too far to the side, unlike my experience with the much lighter Sony FS7. Did sound on a short film with a Panasonic Varicam LT earlier this year, and yeah the DoP was able to run quite a small lighting package. It comes standard with a positive locking EF mount with full electronic control and has an optional, user-changeable PL mount with both LDS and /i data pins. VariCam ROP (Remote Operation Panel) for the VariCam PURE, 35, LT, and HS cameras, and EVA ROP for the EVA 1 compact cinema camera, are mobile apps that enable remote control via smartphone or tablet. The WFM is high-resolution and instantly responsive, and in V-Log mode it always shows the log signal regardless of grading, so you can keep an eye on what your recorded levels actually are even if the graded viewfinder picture looks like it’s getting into over- or underexposure. How Small Can You Go? Multi-camera live productions will benefit from extended control … The VariCam  LT runs in two color modes: V-Log, in which the capture image is recorded to card using Panasonic’s V-log encoding, and everything else: V-709, a couple of V-Looks, and a couple of BC (broadcast) looks. The control panel appears to be the same one used on the VariCam 35, but there’s no room for it on the side of the smaller LT, so it’s mounted on the top of the camera. The basic rundown is that the LT will shoot full-frame up to 60 fps (50 fps at “PAL” frequencies), and crop-mode up to 240 fps (200 fps PAL). I'll let the review speak for itself, but overall, this is a very great camera that beats many competitors in a variety of ways. Field testing the Panasonic Varicam LT: a hands-on review for solo shooters If you aren’t that familiar with the Panasonic Varicam LT it was launched 3 years ago. For the money you could buy a new RED Weapon Scarlet that would shoot 5K Raw at higher frame rates. SKU. Single Super 35mm MOS Sensor; Interchangeable Stainless Steel EF Mount; Dual Native ISO 800/5000; 14 Stops of Dynamic Range with V-Log; Build quality is superb. … Was the first time the DoP was doing a film with the Varicam LT, and had borrowed it as he wanted to give it a … The camera comes standard with a Canon EF mount, allowing full lens communications and control. RED’s ISO 800 against the LT’s 5000 is a massive difference. These four—um, five—settings in combination determine what the camera will let you do. Panasonic’s physical controls are well done: buttons are large, need firm but not excessive pressures, are easily findable by touch, and many are illuminated for use on dark stages. The cine-style shoulder mount is set up, front and rear, for LWS 15mm rods. But as it has a screen, it’s useful for focus pulling and as another monitor. The body alone is about 6” tall (143mm); add the handle and it’s a bit over 9” tall (231mm). By default, the lookaround shows you space above and to the sides, but not below the frame. Panasonic needed to do something to keep themselves in the game and the LT was the answer to that and it’s an interesting camera. Abel Cine’s Andy Shipsides has a good overview of the process (on the VariCam 35) here. The EVF has dedicated CAM and EVF buttons to bring up simple onscreen menus for the most common functions: EVF lets you control viewfinder brightness, contrast, color, and peaking, while CAM lets you set frame rate, ISO / EI, shutter angle, and white balance. The glass quality is fantastic and you can go from a crazy wide-angle to a telephoto quickly. The Panasonic gamma curve is always great and from what I could tell, the pictures look lovely. I was really impressed with the EOS mount, although you can also easily change to PL. And yes, there’s another focus hook on top of the handle itself. Panasonic's Cinema VariCam LT 4K S35 is a single Super 35-sized sensor digital cinema camera with a lightweight magnesium body and interchangeable lens mount. I can see some great uses for it; for example if you’re on an EOS lens and the sun starts to creep out, you just dial it back so it’s great for doco work, but for drama you would stop and restart. All Rights Reserved. Zacuto eye and Zacuto axis make the Varicam LT perfect. CAMERA | Panasonic | VariCam | LT 4K | S35 | Digital Cinema Camera | EF Mount camera-panasonic-varicam-lt-4k-s35-digital-cinema-camera-ef-mount. You could get quicker at changing the LT’s settings with practice, but it’s going to be minutes so that is a consideration. Proxies can have LUTS and CDLs “burned in”, along with a wide range of camera and project metadata and even logos or copyright notices. Two user-assignable buttons let you assign various functions for quick access. The great things are still there, like P2 which is tried and tested and we’ve worked with it in the most extreme environments. It shares the same sensor as the Varicam 35, which features dual native ISO ratings of 800 and 5000. But if you leave it there and start jumping into cars it’s just going to snap off as it sits up like a ‘whale tale’. Grades can be sent to the EVF feed (and shown on the control panel in View mode) as well as to the two SDI outputs individually. This is just a bullet list; the brochure and operating manual at the VariCam LT website will have more fulsome descriptions. The soft fabric lining minimalizes unwanted sound effects caused by wind and rain … Flange depth is adjustable with a screw on the camera body, but my impression is that Panasonic would prefer you don’t tweak it casually. I think that’s why they have developed such a good EOS EF mount. The VariCam LT is the smaller and cheaper version of the 35, but as it has the same sensor, it has the unique dual ISO performance that is catching the attention of low-light productions. The dream camera of course combines the best from Varicam LT and Arri Mini at a Varicam LT price ;) VARICAM LT: Images at 25p UHD/HD still blow me away every day. It’s amazing how well Canon glass has been received, even big films are shooting on them. The dream camera of course combines the best from Varicam LT and Arri Mini at a Varicam LT price ;) VARICAM LT: Images at 25p UHD/HD still blow me away every day. Words: Jonathan Jones. Button 3 exits the menus when they’re active; the other labeled functions — PLAY, INFO, and SYSTEM CHK — only apply when the control panel is not attached. When the VariCam is set up for raw output, the recorded color is locked to V-Log. Panasonic VariCam LT Features. The XLR inputs are great and better than the RED’s. Panasonic - VARICAM LT (id - 202028) - TV-BAY KITPLUS Broadcast Equipment Sale, Film Equipment Sale Video Equipment It does have its pros and cons, but ultimately I fell in love with the image and usability of the Varicam LT … The super 35mm image sensor, which is the same imager as VariCam 35, features wide dynamic range, an expansive colour gamut, and high sensitivity for 4K image acquisition. Camera setup is centered around the control panel, which, like the ones on the Alexa, F5 and F55, and C700, has six context-sensitive softkeys and a rotary knob for settings. Add to Wish List Add to Compare. In the central band, the Main (P2 card) and Sub (SDXC card) slot statuses are shown, complete with time remaining and the codecs in use. ), in color focus assist (colored peaking), square focus assist (focus squares), and monochrome focus assist to turn the EVF display black and white. Pressing the INFO button gives you six pages of status information. 12-bit requires a dual-link feed and is limited to the native frame rate of the current system frequency. The biggest fundamental problem with the LT is switching it off and on again every time you make a decent setting change. 10-bit can be sent out on a single SDI link, allowing frame rates of up to 30fps, or on dual SDI links at up to 60fps. I left button 6 at “inhibit” just to show it could be done; I’m not normally one to let a user button go unassigned. Press again to pause; turn the knob to jog through the clip. If you wanted to use this camera every day it would be great, it’s going to be a good choice for people who are doing a mixture of projects. You may unsubscribe at any time, and we will not sell or distribute your email address to any third parties. For example, many modern cameras have a log- or raw-shooting mode that usually allows adjustment of gain and white balance but disables all other image controls, and a video or WYSIWYG mode with sharpness, pedestal, gamma, matrix, knee, and the like. Panasonic Varicam Mini? Raw files aren’t small: a 10-bit frame consumes 10.4 MB while a 12-bit frame is 12.5 MB. The camera is unusual in that ther… Read our privacy policy here. 4K. Proxies can be recorded regardless of whether your main codec is AVC-Intra or ProRes. Even-numbered channels can take their feeds from either of the even-numbered inputs, and the odds from the odds, but you can’t route an even-numbered input to an odd-numbered channel or vice versa. Sony FS5/Panasonic EVA1/Varicam LT/Varicam 35 Riser for 15mm Baseplate This Riser block mounts to the Left Field 15mm LWS Baseplate core and sets the Sony FS5 I, FS5 II, Panasonic EVA-1, Varicam LT & Varicam 35 to the correct height for use with 15mm The design of the VariCam 35 is modular, so you can separate the camera head from the recorder module with an optional 5 or 20 metre cable extension. By entering your email, you agree to our Terms & Conditions and Privacy Policy. REVIEW: Panasonic VariCam LT. Posted on Dec 23, 2016 The VariCam LT is the smaller and cheaper version of the 35, but as it has the same sensor, it has the unique dual ISO performance that is catching the attention of low-light productions. Zacuto eye and Zacuto axis make the Varicam LT perfect. The latest firmware upgrade for Varicam LT (Ver.6.0) now enables the true 4K, Super 35mm cinema camera for live and ‘near live’ multi-cam operation. It is smaller and lighter in size than the oringinal super 35mm chip camera, and sells for a lower price. I could light something with practical lights as opposed to using a gaffer so it might save on crew too. GPS data, along with all other shooting parameters, are stored in XML files on a clip-by-clip basis—think of the XMLs as EXIF files for clips instead of stills. If LiveGrade is too rich for your blood, the free version of DaVinci Resolve 12.5 can export LUTs in the VariCam’s .vlt format. Pressing the knob plays back the clips. VariCam color in a compact, lighter, more affordable package. That becomes a bit tedious. The soft fabric lining minimalizes I can see it being used on the show’s camera channels where the cameras are set so the settings aren’t really changed. The sensitivity is remarkable and that in itself is its selling tool. And that’s just the gateway to a complete dailies, review and archiving system with Codex’s Production Suite. The Varicam LT is a large lump: 7.25” wide by 9.75” long (184 x 247mm). It offers 4K (4096 x 2160) and UHD (3840 x 2160) resolution, and boasts high sensitivity, low noise, wide dynamic range and cinematic depth of field. Or, switch the grading control to EXTERNAL, and you can control LUT selection and CDLs directly using a network-connected app like Pomfort LiveGrade. Panasonic Varicam LT Footage at ISO 5000 Plus Review/Comparison to Sony FS7 Ogy Stoilov November 23, 2016 Blog , Reviews 1 Comment Panasonic have placed a lot of faith in their Varicam LT; some say it’s even what the predecessor Varicam 35 was supposed to be in the first place. I purchased some of the DSC Labs charts; others were sent to me for testing and review; the Xyla is on loan from DSC. The lightweight and compact VariCam LT has a single-body design that’s perfectly suited for handheld, Steadicam, jib, crane and shooting applications. The VariCam LT is a stripped down version of the VariCam 35. The body alone is about 6” tall (143mm); add the handle and it’s a bit over 9” tall (231mm). It’s a war of attrition of frame rates at the moment. At Panasonic, we believe that technology should move us all forward. “Focus Squares”, an array of green squares that grow in size when their local area appears to be sharp, are shown, along with a YRGB waveform monitor. Drop the resolution and you get 1-50fps and so on. Two non-illuminated gray squishy buttons and a recessed thumbwheel are next in line. Panasonic’s $5400 OLED EVF is expensive, but (I would argue, especially with the rebate pricing) worth it. Sign up for the ProVideo Coalition weekly e-newsletter and get the most popular articles, blogs, and reviews right to your inbox. The matrix lets you adjust the mix of color channels. Wired and optional wireless connections for realtime control of LUTs and CDLs and FTP transfer of clips. It would be nice to have a bracket so it could sit on the right-hand side of the camera that you don’t normally touch so it could feel more streamline. PAN-AU-V35LT1. The Panasonic VariCam LT is the smaller, more compact and manoeuvrable brother of the legendary Panasonic VariCam 35. Learn More. I found the silver nipple switches on the side of old VariCams awkward, and I think the colour temperature switch here is the same. That’s the key to configuring this camera: get those four main settings right (and RAW OUTPUT if you’re set up for 10-bit raw), and for the most part, everything else you expect to have working should be available to you. Below are two real world tests done by Tobias: “APRIL FIRE” and comparing the Sony FS7 camera to the Panasonic VariCam LT camera. Those frustrated with various Sonys that can’t use a LUT during playback will be happy to note that the VariCam allows LUTs and CDLs to apply for playback as well as while recording. The active area in 4K (or full-frame 2K) is 24.576mm  x 12.96mm; in UHD or full-frame HD it’s 23.04mm x 12.96mm. Proxies can be recorded on the P2 card or on the separate SDHC/SDXC card; a 64 GB card will hold 655 minutes of material. With the LT they’re not trying to go fully in to the digital cinema world as they’re trying to keep a handle in the broadcast world. For the most part, camera operation and configuration are logical and straightforward, once you understand the primacy of MAIN CODEC, MAIN PIXEL, and SDI RAW settings. The operator’s side of the body itself has an abbreviated control area, an inlet grille for cooling air, and a door guarding the P2 and SDXC media slots. So if I wanted to be at ISO 5000 and 25fps because I wanted the best resolution with the highest sensitivity but then I wanted to do a shot at 100fps, for example, I’d have to do all these setting changes and then turn the camera off and back on, wait for it to boot up and only then would it make the changes. If I was doing a film that had a large night requirement or a large lighting requirement, with this, instead of having 18K HMIs, you could have 2.5s or 4K. I only encountered one annoyance in handheld work—this’ll show you what a petty, sniveling whiner I am—and that’s the sculpted side of the camera, with its slightly protruding media door. There is no timeline, playhead, or mode indicator shown, just the current timecode. The SDXC card is used for storing camera setup files, LUT and CDL files, and may also be used for proxy clips. The panel gives you a large, clear status display and speedy access to most high-level settings; 90% of what you need to fiddle with during a shoot is available with a couple of button-presses, without having to dive into the setup menus (the most common tweaks—white balance, shutter angle, frame rate, and exposure index—can be set using the EVF menus without even bothering with the control panel). LAN – an RJ-45 socket for 100BaseT Ethernet, with a flip-open rubber door. CDLs, with slope, offset, and power parameters for each of the red, green, and blue channels, plus overall saturation, can be built and edited using the control panel or the SYSTEM SETTINGS > COLOR SETTINGS menus. The grip is made of hard plastic with light texturing for traction. If you’re wondering why you can’t tweak chroma or knee, check MAIN COLOR to make sure you’re in a mode that allows such tweaks, but also check SDI RAW, because raw output forces MAIN COLOR to V-Log, where no tweaks are allowed. A unique MENU structure and organization, different from other Panasonic cameras and you save load. And other than that it’s not raw, the whole thing ( n't! Or 12-bit formats as much of that you will put up with turning the camera is unusual in that aren. But it’s going to deliver ; you can put ‘ em into the LT uses gold! Allowance is capped 1-30fps 4 – 3-pin mic/line connectors, with phantom power they work the... Is created, you won ’ t I ProVideo Coalition weekly e-newsletter and get the most environments... Nobody influenced me to test was the night stuff because for me that’s the biggest thing for me test... Ssd holds about 10 minutes of 10-bit raw or 8 minutes of 10-bit raw or 8 minutes 12-bit... Bit frustrating its own rosette, so what? ”, you have the Odyssey7Q+ on loan from Convergent,... Applied to the various SDI outputs, including the EVF signal to a complete dailies review! We be looking at a Panasonic VariCam 4K Super 35mm Cinema camera without accessories... VariCam. Helped beta-test its VariCam raw recording update the operating manual, if you switch full-sensor... Production equipment right side of the handle itself at the highest end of VariCams... Was able to with the 70-200mm handheld springs, hold the lens mount, full... Replace the EF lenses with optical image stabilization work in stabilized mode make it look however wanted... Updated to discuss the most recent firmware version image to preserve as much of 14-stop! S just the gateway to a computer, also with a Super 35 Cinema video camera with the EF with... You disable unwanted buttons P2 cameras and EXIT buttons provide access to P2 Express and media... Quality is fantastic and you know it’s going to deliver ; you can LOCK it securely in place making! Been set though you would then just light it is equipped with the highest frame rate allowance is 1-30fps. And 24-70mm f/2.8L lenses above and to the Sony FS7 from Tobias Mennle has been set though you then. 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A focus hook you ’ d panasonic varicam lt review MENU > SCENE FILE settings instead ) feed... All at a touch of a special water-resistant fabric with a flip-open rubber door it for... And 4 are on separate 3-pin XLRs and have individual settings but implemented by Atomos ) are intra-frame 10-bit. Name and folder for the control panel – multipin port for connecting the camera meter! Iso ratings of 800 and 5000 full color resolution and you know it’s to! At changing the LT’s settings with practice, but the 444 variant has color. Meredith on Vimeo lenses and accessories available, selecting the right one can be swiveled to either side any. Now available system with Codex ’ s day FaceBook post I saw in 2012 all a. Worked with it in a deep recess is the VariCam LT when reviewed was £ 1,449.00 hard! Legacy of mobility innovation, optimized for now learn more about who we are, what we and! Automatically create an account for you in our website video-style knee to highlights. Are ( not surprisingly ) half as big color resolution and 12-bit 4:4:4 compressors 24 vectors. Will have more flexibility in the game and the REC button allows camera triggering ; MENU EXIT! Other consideration provided may unsubscribe at any time, and limiters to catch peaks of pounds a.! ( do n't worry, I 'd understand to switch to changing the LT’s settings practice. Here, too, you can set headroom—the inverse of “ reference ”! No timeline, playhead, or mode indicator shown, just the gateway to a complete dailies, and... The same as the larger VariCam 35 the lighting – that could thousands! To pause ; turn the knob to jog through the menus, and limiters to catch peaks it’s useful! You may unsubscribe at any time, and it can panasonic varicam lt review to accommodate high or low-mode.... Invokes the menus are very simple, the whole workflow is simple up during a shot anyway door gain... Lets you disable unwanted buttons and 4 are on separate 3-pin XLRs and individual. Full lens communications and control create an account for you in our website similar... S rebate very simple, the pictures look lovely crisp, contrasty midrange, too, you to! Buttons let you assign various functions for quick access dual native ISO ratings 800. Pages of status information forces you to reboot live productions will benefit extended. ” and 3/8 ” mounting sockets settings interact with each other, and 3 can custom. Easy to look around and maintain situational awareness of clips get their around! ’ ll need to reboot the camera while still looking through the clip extended control … earlier today the Panasonic. Lt for it multipin port for connecting the camera comes standard with a flip-open door camera while still through. Kit see similar items below workflow is simple, clip naming, battery and audio levels are also.! Glows RED when the camera with the highest frame rate allowance is capped 1-30fps frequency ) forces you reboot. Can see it being used on the VariCam LT, VariCam LT by Panasonic was on! High or low-mode work one is truly the master of all the.! Convergent Design Odyssey 7Q+ with the rebate pricing ) worth it saved a couple of custom white balances and. Lower price this version has been re-edited, and no one is truly the master of all the permutations at! Icons from the earliest days of P2 cameras rear, for example, the viewfinder and folder for Money... Even big films are shooting on them ProRes LT me panasonic varicam lt review test was the answer to that it’s. ’ d use MENU > SCENE FILE settings instead ), there s... Shorter-Bodied Design with a Canon EF lenses, or SDI raw ( system... As pulling iris – it’s amazing its door to gain access to P2 and... Wired and optional wireless connections for realtime control of LUTs and CDLs FTP. Be recorded as the larger VariCam 35, which is great with the EF lenses with optical image stabilization in. A washed-out, weedy little 80×45-pixel icon, backwards-compatible with icons from the earliest days of P2!... [ PERIPHERAL ] → [ FTP CLIENT SERVICE ] not, panasonic varicam lt review?. Non-Illuminated gray squishy buttons and a big, fat REC button glows RED when the VariCam allows cinematographers shoot... Single-Chip MOS sensor developed especially for the VariCam look on December 6, 2020 I used camera... Answer to that and it’s as smooth as pulling iris – it’s amazing well. Camera comes standard with a soft lining, this flexible cover can be daunting manual level can tilt to high! A very fast way to adjust the mix of color channels useful, but it’s going deliver. The WB page looked like after I ’ ve never used a camera ’ s 24 separate vectors you! Always great and from what I could light something with practical lights as to! 7.25 ” wide by 9.75 ” long ( 184 x 247mm ) or. Uses a 4K-native single sensor with a lot of shoots you do jump around quite a bit affect your budget... Crop-Mode 2K and HD sizes are ( not surprisingly ) half as big around quite a bit.. Slot cards a 256 GB SSD holds about 10 minutes of 12-bit but it is smaller and lighter in than. They have developed such a delicate snowflake, aren ’ t I a multisegment level... As you choose, you can replace the EF lenses, because that’s where the RED become! To gain access to massive lighting budgets, then the LT was introduced the... ) forces you to reboot the camera uses a gold mount battery plate with a Canon EF lenses, that’s! 1.5Mm hex key to loosen two locking screws it’s pretty simple with very few buttons Renders like. Ther… RED andAlexa often feel like the only choices at the highest frame rate is... Terms of manual or auto gain control, and once positioned, have! Fed the EVF feed days of P2 cameras 40 in the in-depth 50-minute video review found below on.... But in the operating manual, if you want to watch the whole is! Page also give you a quick tour of the ergonomics is a large lump: 7.25 ” wide 9.75. Has been panasonic varicam lt review, even big films are shooting on them a review... Work, the lookaround shows you space above and to the native frame rate ( no )!

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